Despite an undeniably promising status, Gen Urobuchi is something of the questionable figure based on a person’s contact with their career. His works are frequently recognized for his or her world-building and just how dark they may be, but he isn’t without some missteps, making the anticipation for his new series, Revenger, quite fascinating.
In September, Nitroplus and Shochiku announced Revenger with hardly any information besides a little teaser along with a striking poster. On Friday, November 25, they unveiled much more about employees and cast behind the anime, revealing Urobuchi’s participation and hying a release on The month of january 5. Urobuchi is most conspicuously known inside the anime sphere for works like Production I.G.’s Psycho-Pass and Shaft’s Madoka Magica, two series that perhaps aren’t exactly the same without him. But between your mixed reception to 2022’s Bubble and also the critically panned Godzilla trilogy from Polygon Pictures, it’s reliable advice that his style isn’t necessarily a sure success.
The Storyline of Revenger
Revenger is described – appropriately enough – like a revenge story following Kurima Raizo, a samurai who survives an murder attack on his clan. Conned of his existence like a samurai, he joins a company known as Revenger, focused on taking revenge “with respect to individuals who’ve no power.”
Sparse because the initial teasers were, the primary PV unveiled lately paints the storyplot being an ensemble story of sorts, with five hitmen cooperating for any common goal. Their base of operations is really a general store that works as a front for his or her real business. Usui Yuen may be the mysterious proprietor from the store and also the leader of Revenger who looks is the one which recruits Raizo.
They may be the best area of the series moving in. Nio, voiced by Hisako Kanemoto, is definitely an androgynous and deadly hitman killing individuals with a fiber wire kite string. The burly Teppa Murakami is really a builder who’s seen firing a huge compound bow that annihilates enemies on impact. Finally, Souji is really a drunk who throws cards like a weapon like Gambit from X-Men.
This well-rounded and deadly team has all of the makings of the fun action ensemble, from unique tools and weapons for their designs and personalities. The seem design by Akiko Fujita (Bocchi the Rock) gives every grand attack the actual extra ounce of impact, paying for art design that’s too soon to evaluate. The marketing appears to become banking around the appearance and also the action to really sell this story.
Employees Behind Revenger
What jumps out most conspicuously relating to this project – aside from Urobuchi’s participation – is its studio, Ajia-Do, which does not have a status for tales similar to this. A lot of their resume includes family-friendly anime or more recent slice-of-existence shows. A notable exception is 2021’s Kemono Jihen, a supernatural mystery with a lot of action.
And certain enough, Masaya Fujimori, the director of Kemono Jihen, is directing Revenger too, that makes it a little simpler to gauge what sort of show to anticipate. The studio might lack lots of similar shows, but it is helmed with a director that has directed all Ajia-Do’s most action-packed endeavors and the first Fairy Tail movie.
Employees is-around promising, with two three animation company directors getting labored with Fujimori on Kemono Jihen formerly. The 3rd animation director, Yuji Hosogoe, has labored on Saga of Tanya the Evil, Berserk, and Psycho-Pass, and it is credited because the character designer on Revenger.
Joining Urobuchi within the writer’s room is Renji Oki, another Nitroplus author who co-authored Bubble with Urobuchi this past year. Nitroplus’ status within the Visual Novel community is storied, and also the name carries lots of weight, especially with regards to high-concept fantasy and sci-fi. Within the situation of Revenger, it is the commitment of violence that pulls the attention, and can the storyline keep audiences’ eyes glued towards the screen?
Knowing through the translation of Urobuchi’s statements around the series, it appears to become a story he’s enthusiastic about, whatever the interest in it in the present anime marketplace. He remarks about too little “twists and turns,” which likely refers less to Revenger‘s story by itself and much more to previous acclaimed works of his which have subverted audience expectations.
It’s too soon to inform precisely what Urobuchi strategies by this whether Revenger is really a simpler story restrained in the grander ideas of his work, or if it’s another thing entirely. In either case, the hype prior to Revenger‘s premiere and how it can captivate audiences is a figuring out element in how large a pull Urobuchi’s name holds later on.
Source: Anime News Network, Comic Natalie
